‘Weeping and gnashing of teeth’

HOMILY: In the presence of this parable, we may well freeze, speechless …

The central character of the parable is one who dares attend a royal function (in response, we note, to a tyrant’s invitation) without the requisite garment – thus challenging the tyrant’s authority. We might think of Jesus defying the powers, withdrawing from unjust systems, refusing to play along; bound hand and foot, cast out. We might ponder this “weeping and gnashing of teeth” (these cries of distress, pain, anger/protest). We might think of many silent or silenced protesters.

‘The words of my mouth’

HOMILY: “May the words of my mouth/ and the thoughts of my heart/ be pleasing in your sight, Adonai,/ my rock and my redeemer!”

So concludes our psalm for today, a three-fold prayer-poem. The sum of the first part of the psalm can be stated simply: the world witnesses to God. The second part is a precisely constructed passage exalting the virtues, benefits and desirability of the torah (God’s “law”, or “instruction”). The third part is a prayer for God’s help/grace …
 

We touch the signs …

PRAYER: We touch the signs, we read the textures …

‘Just as rivers flow’

HOMILY: The final chapter of the book/letter of Revelation depicts a heavenly city on Earth – the descent of a New Jerusalem – where the Lamb of God (nonviolence) rules, and God’s name (love/liberation …) is reflected in human faces. We are shown a street, a life-giving river and fruitful/medicinal trees. The vision is one of harmony, sustainability; illumination, salvation (wellness and wholeness).

This movement from above to below is significant. The vision counters conventional (otherworldly) notions of transcendence and calls us to lower our sights – to look around us for signs of truth, goodness and beauty – just as rivers flow from high to lowlands and to the sea …

‘Dancing in the desert sand’

HOMILY: Coloured Stone is a band from the Koonibba mission, west of Ceduna, South Australia. Their distinctive sound is described as “desert reggae”. Mirning singer-songwriter Bunna Lawrie and band perform using electric guitar, bass, drums, yidaki or didjeridu, bundawuthada (gong stone) and clap sticks.

I’m listening to “Wild Desert Rose”, Bunna’s tribute to the desert flowers, one of the stunning sights that make his home country such a special place. The sparkling lead guitar and joyful backing vocals conjure a stunning image of the outback …

‘Two iconic songs’

HOMILY: When have you been moved by an encounter in and on the land? Working the soil, feeling the coolness or warmth of the earth … on your own, with others (companions, strangers), seen or unseen? Walking or running through rugged terrain … viewing or painting a landscape of some kind – with a sense of participation, anticipation …

We ponder the parables – good soil

PRAYERS: We ponder the parables. Old stones, rocks, dust … deposits …

‘Life, breath – everything’

HOMILY: Last Sunday morning, amidst regenerating forest on Gumbaynggirr Country (Mid North Coast), I awoke to a cacophony of bird calls, growing light, the condensation gathering on my tent.

I was on a forest protection pilgrimage, together with others from the Uniting Church’s Forest Advocacy Ministry.

‘How many keys?’

HOMILY: To see in a poor Galilean the fulfilment of Israel’s deepest yearnings is no simple feat. To see in a wandering teacher of torah and critic of smug religion with whom the anawim seek hope and healing the fulfilment of Israel’s deepest yearnings is no simple feat.

Silent meditation

MEDITATION: The roots of the World Community for Christian Meditation (WCCM) lie in the desert tradition of early Christianity.